Making records used to be about the music. In the recent past, with the advent of the digital workflow, making records has increasingly become an exercise in minutia as well as a plugin arms race, creating a steep learning curve and shifting focus to the tools at the expense of the music. PROCESS.AUDIO was founded by a team of world-class music-making professionals, led by Fab Dupont, to create music-making tools that strike the perfect balance between analog workflow and digital technology only enhancing their owner's process.
Wahnimate is a versatile and expressive filter effect plugin, inspired by wah pedals and designed for producers, guitarists, and sound designers. From classic cry-wah tones to experimental evolving effects, Wahnimate allows you to quickly add movement and life to your track, with an intuitive user interface, 8 filter types, and 3 modes, alongside an arsenal of parameters to customize your tone.
Choose between 8 wah/filter types
Visual representation of the selected wah type with the current position. In manual mode, it can be dragged with the mouse.
Set the minimum/maximum positions of the pedal to change the range of modulation. Also gives visual feedback of the current position.
Adjusts the amount of drive applied to the signal.
Uses a tilt filter to control the tone from dark to bright.
Offsets filter’s frequencies for the left and right channels to create a wider effect.
Changes the filter's resonance.
Allows to select from 3 modes :
Controls the wet signal level after the processing.
Visualize the peak level of the wet signal.
Blends between the dry and the wet signals.
Access a collection of factory presets and manage your own. Use this section to quickly find a sound that will match with your track.
Wahnimate offers two display options: light and dark. Once selected, your choice will be applied and saved across all instances.
Settings menu to handle interactive help or access User manual
Changes the LFO speed. Toggle the sync button to change from free speed in Hz, to tempo synchronized subdivisions.
Offsets the LFO position for the left and right channels to create a stereo effect.
Changes the oscillator waveform, continuously from triangle (0) to sine (0.5) to square (1)
Skews waveform shape to go from a triangle shape to a sawtooth or inverse sawtooth waveform.
Affects the width of the waveform.
Changes the initial position of the LFO.
Helps visualize the LFO waveform and its current position.
Determines how the pedal position is affected by the signal level. The pedal will be modulated when the signal is between the two thresholds.
Sets the attack time of the sidechain signal.
Sets the attack time of the sidechain signal.
Determines the pedal’s position, relative to the range determined by min/max sliders.
Emulates the bypass behaviour of a wah pedal. The status LED indicates if the processing is active.
Determines the amount of time before the processing is bypassed after the pedal stops moving.
Activate the bypass behaviour at min or/and max positions.
Sets the tolerance for the deactivation at min and max positions.